MESA/Boogie® Mark V™ 10/45/90w Multi-Watt™ 3-Channel 9-Mode Simul-Class™ All Valve Amp Head (Made in U.S.A.) Black Bronco ★ BRAND NEW | SEALED BOX ★ FREE FREIGHT | 5YR WARRANTY | LIMITLESS LAYBY | MULTIPLE PAYMENT OPTIONS
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NTM-2.MVMX.BB-N
A$6,495.00
A$5,999.00
A$5,999.00
On Sale
per item
MESA/Boogie® (MESA/Engineering®) Mark-V™ 10/45/90watt Multi-Watt™ (Per-Channel Assignable) 3-Channel 9-Mode Fan Cooled All Tube Electric Guitar Amplifier Head w/- 7 x 12AX7 Pre-Amp Valves and 4 x 6L6 (or 4 x EL-34) & 1 x 5U4 Power Valves, 3-Band EQ & 5-Band Graphic EQ, Simul-Class™ Power, Variac™ Power Switch, 4 x Speaker Outputs, 1 x Slave Output, 1 x Tuner Output as well as 8-Button Footswitch, Cables, Slip Cover, Manuals, etc (Made in U.S.A.) 240volts. Black Bronco Vinyl.
★ BRAND NEW | SEALED BOX ★ FREE FREIGHT | 5-YEAR WARRANTY | LIMITLESS LAYBY | MULTIPLE PAYMENT OPTIONS
A$6,495.00 Regular RRP - A$5,999.00 On Sale
SKU: NTM-2.MVMX.BB-N
∎ MESA/Boogie® (MESA/Engineering®) Mark V™ (Mark Five™) 10/45/90watt Multi-Watt™ (Per-Channel Assignable) 3-Channel 9-Mode All Tube 4 x 6L6 Valve Electric Guitar Amplifier Head w/- 3-Band EQ & 5-Band Graphic EQ, Simul-Class™ Power, 4 x Speaker Outputs, 1 x Slave Output, 1 x Tuner Output as well as 8-Button Footswitch, Cables, Slip Cover, Manuals, etc (Made in U.S.A.) 240volts Australian Power. Black Bronco Vinyl.
FREE FREIGHT | FULL 5-Year Manufacturers FACTORY WARRANTY | LIMITLESS LAYBY | MULTIPLE PAYMENT OPTIONS | NO INTEREST EVER Finance available.
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● Regular New Price is AU$6,495.00 RRP ! ! !
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This Ultra-Versatile MESA/Boogie® Has it All!
The MESA/Boogie® Mark V™ Guitar Amplifier Head will take you on a tonal journey through the company's illustrious history with some new capabilities thrown in. Whether you're craving the sound of the Mark I™'s high-gain cascading preamp or the fat, wide tone of the Mark IV™, the Mark V™ delivers. At N E W T O N E M U S I C, we've been blown away by what this ultra-versatile guitar amp is capable of. The Mark V™ lets you dial up anything from tweed-like tones to British crunch to the highly coveted trademark Boogie® overdrive. Featuring a 5-band EQ, Multi-Watt™ and Simul-Class™ power, and three channels of sonic mayhem, the MESA/Boogie® Mark V™ Guitar Amplifier Head will give you all of the clarity, crispness, and punch that you can handle!
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A NEW GENERATION OF ROCK ROYALTY
• 3 Independent Channels each w/- breathtaking 2-Modes for American-sounding clean tones (1st Ch), aggressive crunch (2nd Ch), & thick high gain (3rd Ch).
• 9 Modes across 3-Channels (Channel 1 = clean tones, Channel 2 = aggressive crunch, Channel 3 = thick high gain)
• 3 Voices Per Channel that are accessed by toggle switches on the front and this will allow you to tailor the amp to your sound.
• Swap Valves - Choose either EL34, 6V6 or 6L6 tubes - NO re-bias required.
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WHAT'S IN THE SEALED BOX:
The Home of Tone®
Over 20 years have passed, two generations of guitarists and several musical trend-cycles since the Dual Rectifier® first unleashed its crushing wall of gain on radio. In that time many have mimicked, modelled, dissected and plagiarized it, but it remains firmly planted at the centre of hard-core… a rock icon. Still leaving the widest, deepest footprint in heavy music and now a long list of chart-topping devotees outside the world of heavy, the Rectifier series has grown to include several now famous heavies like the Triple Rectifer®, Road King®, Roadster®, Mini Rectifier®, and Recto®-Verb 25. Welcome to the Rectifier® Series, a line of MESA/Boogie® amplifiers that have shaped modern guitar tone, forever glorified in recording history, influencing guitar amplification technology from the day they were launched on the scene to this very day.
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MESA/Boogie® Mark Five™ 10/45/90w Multi-Twatt™ (Per-Channel Assignable) 3-Channel 6-Mode All Tube Valve Electric Guitar Amplifier Head AT A GLANCE:
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Three channels give you plenty of sonic possibilities
The MESA/Boogie® Mark V™ Guitar Amplifier provides you with three channels of sonic possibilities. Channel one gives you a range of clean tones that blend vintage tube characteristics with a shimmery high end, resulting in a crystal-clear, boutique-like tone. Channel two is the right choice for when you're looking for a thick, throaty crunch with tight attack. Channel three gives you the iconic high-gain sound that became associated with players like John Petrucci, James Hetfield, and Kirk Hammett in the 1980s.
Three voicings on each channel for even more tonal versatility
In addition to the MESA/Boogie® Mark V™ Guitar Amplifier's three channels, you also get three distinct voicings for each channel that are controlled by a simple mini-toggle switch. In some cases, these voicings are related by style and give you important musical differences within a gain structure and sonic theme. In other cases, both gain and EQ are radically altered to achieve drastically different sounds. Make no mistake - you'll spend hours upon hours experimenting with different gain and tone control treatments while sifting through the Mark V's voicings, recreating some recognizable tones from Mesa/Boogie's past (and inventing some new ones of your own).
Graphic EQ provides you with a wide range of sound-shaping options
While the MESA/Boogie® Mark V™ Guitar Amplifier gives you standard tone controls, you also get a 5-band graphic EQ for even more sound-shaping. By using the Mark V's graphic EQ in conjunction with a high-gain sound, you'll be able to perfectly replicate the classic V curve that became a staple of heavy metal guitar tone in the 1980s. Each channel is fitted with a mini toggle to turn the graphic EQ on or off. You can even make the EQ foot-switchable!
Multi-Watt and Simul-Class power let you control your amp's personality
The MESA/Boogie® Mark V™ Guitar Amplifier lets you alter the amount (wattage) and type (configuration) of power each individual channel will be coupled with, giving you unprecedented control over the character and personality of your amp. Lowering the wattage of the Mark V decreases its headroom, making it easier to push it into overdrive. The Mark V is also wired so that it can operate in both a Class A triode configuration and/or a Class A/B pentode configuration, depending on which wattage you select. You can use two power tubes to operate the Mark V in Class A mode at 10 watts, emphasizing even-order harmonics for a sweet tone with a soft, rich purring quality, or you can use two tubes running in A/B mode at 45 watts, emphasizing odd-order harmonics for a harsher sound. The best part, however, is that you can use four tubes running in both Class A and Class A/B modes simultaneously at 90 watts, giving you the best of both worlds!
MESA/Boogie® Mark V™ Guitar Amplifier Head Features:
The MESA/Boogie® Mark V™ Electric Guitar Amplifier - an all-tube head with a stellar legacy and serious tone!
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Quick Overview
Build Location
Hand-Wired In Petaluma, CA with the World's Finest Materials
Wattage
Multi-Watt™ 10, 45 or 90 (Channel Assignable)
Power Tube Type
4x6L6 (or EL-34)
Channels & Modes
3 Channels / 9 Modes
Mode Voicings / Styles
Ch. 1 = Clean, Fat or Tweed
Ch. 2 = Edge, Crunch or Mark I™
Ch. 3 = Mark IIC+™, Mark IV™ or Extreme
Graphic EQ / Reverb / FX / Solo
Reverb, FX Loop & Solo
Foot-switchable Functions
Ch. 1, 2, 3, Solo, Reverb, FX Loop, Graphic EQ, Mute
Weight
44 Lbs.
Dimensions
10" H x 22 3/4" W x 11 3/4" D
Available Formats
Head & 1x12 Combo
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Technical Specifications Overview
Type: Tube
Number of Channels: 3
Total Power: 90w (45w/10w Settings)
Preamp Tubes: 7 x 12AX7
Power Tubes: 4 x 6L6 (Power), 1 x 5U4 (Rectifier)
Reverb: Tube Driven, Long Spring Reverb
EQ: 3-Band EQ, 5-Band Graphic EQ
Inputs: 1 x ¼" (Instrument)
Outputs: 4 x ¼" (2 x 8-Ohm, 2 x 4-Ohm), 1 x ¼" (Slave), 1 x ¼" (Tuner)
Effects Loop: Yes, Hard Bypass switchable
Footswitch I/O: 4 x ¼", 1 x 8-Pin DIN (Channel, Solo, EQ, Reverb, FX Loop, Tuner Mute)
Footswitch Included: Yes, 8-Button Footswitch
Construction Material: Cream w/- Black Grille
Power Source: Standard IEC AC cable
Height: 10.00"
Width: 22.75"
Depth: 11.75"
Weight: 65 lbs.
Manufacturer Part Number: 1.MV1.117D.V10.G01.P01.H03.C01.C90
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OVER 40 YEARS OF RANDALL SMITH’S INNOVATION IN ONE AMP
IT TOOK 40 YEARS of Randall Smith's experience designing high-performance tube amplifiers to get this much TONE under one roof and keep it easy to dial. More than a collection of amplifiers, the MARK V™ is a living history of MESA®'s contributions and a tribute to the evolution of electric guitar tone.
The MARK V™ is really a collection of amplifiers. There are far too many circuits and sounds to think of it as merely an amp. It is also a living history of our company. From the ground-breaking MARK I™ that introduced the world to high-gain with its cascading Pre-Amp, to the Mark II™ - the world’s first high gain Dual Mode Channel Switching amplifier and its later siblings that introduced Simul-Class™ power. From the MARK III™ that ushered in the era of 3 Channel foot-switching performance, to the MARK IV™ which gave all this power individual control, the MARK V is the embodiment of the last 40 years of guitar amp history.
THEY'RE ALL HERE: the MARK I™, the MARK IIC+™, the MARK IV™… all these are faithful recreations that benefit from our decades of refinement and leave many saying they're better than the original! More than our Greatest Hits, you'll also find some new Brit-inspired circuits here that rival these classic Boogie® sounds and are destined to become iconic on their own merit.
9 AMPLIFIERS IN 1 WITH 9 PATENTS DEFINING A HISTORY OF INNOVATION
9 Amplifiers in 1: A lifetime investment. No less than 9 patents stand guard over your Tone... ensuring your investment will be protected and your amp will hold its value. (MARK IIC™'s and MARK IV™'s still sell for more than their original purchase price). Beware of imitators! Fine musical instruments never go out of style and the MARK IV™ is no exception.
Like its predecessor the MARK IV™ - in steady production for over 19 years - the MARK V™ is an investment in your musical future. The 9-Pre-Amps and 3-Power Amps it contains trace their roots back to the beginnings of amplified guitar. Yet while their lineage is time tested, the performance they unleash is brand new and cutting edge. This collection of amps will propel you through any musical style and project, and band any era of your development with confidence and command.
3 FOOTSWITCHABLE CHANNELS, 3 MODES PER CHANNEL
3 distinct Channels present the 3 foot-switchable sounds in a simple to dial platform, but don't let that fool you… beneath each set of controls lies another layer of performance. Each preamp Channel contains 3 distinct Modes that are controlled by a simple mini-toggle MODE switch found in the upper left corner of each Channel, which is responsible for the voicing of each Channel.
MULTI-WATT™ POWER
The MARK V™ features our popular channel assignable Multi-Watt™ Power that determines the amount (wattage) and type (configuration) of power each preamp channel will be coupled with to create a classic sound via independent channel switches. Any amplifier's sound is 50% preamp and 50% power, so these switches are responsible for a large part of a given Channel's personality and feel. The choices repeat for all 3 Channels and they are 90w, 45w and 10w. Using the switch is simple… just select the power/feel you want for each Channel, keeping in mind that the greatest headroom, focus and authority will always be found in the 90watt position.
ICONIC BOOGIE® 5-BAND GRAPHIC EQ
Each Channel is fitted with a mini-toggle to select the 5-Band Graphic EQ, but the fun doesn't stop there. The MARK V™ gives you the choice of two ways to utilize the power of the Graphic EQ for each Channel! The mini-toggle within each Channel (centre mini-toggle) allows you to decide whether you want the EQ on all the time in that Channel, off all the time or activated by the EQ button on the Footswitch.
A separate set of mini-toggles to select SLIDERS or PRESET for each Channel (located in the left side of the Graphic EQ section) allows you to select whether you will use the actual SLIDERS to shape your individual EQ curve or, a PRESET contour based on the ever- popular "V" curve. The ability to choose between these two options when assigning the Graphic EQ to your sounds gives you ultimate flexibility when dedicating the Channels. By combining subtle blends of the Tone controls with the EQ options, virtually any sound you can imagine is at your fingertips.
LEGENDARY SIMUL-CLASS™ POWER
Since 1981 Simul-Class™ Power has been the heart and soul of the MARK Series™ amplifiers, imparting its sweet, musical character onto any sound in the vast library of the now classic MARK legacy. The MARK V™ proudly carries that legacy forward with Cleans that shimmer with transparent layers of sweet delicate highs, while the bottom end breathes a warm fundamental under a bed of rich low mid ambience. Never harsh, always fat, the Simul-Class™ lead tone is the quintessential single-note solo sound that is best described with a human trait…VOCAL.
The MARK V™ provides access an unprecedented number of tone-shaping features. At first glance it might seem a little intimidating but with a second look you’ll discover that it’s very intuitive, as each channel has the same basic features repeated - Once you know one, you basically know them all. Better yet, we designed the MARK V™ to deliver exceptional, fast and easy “plug and play” convenience. You’ll be amazed by the instant tonal gratification from each channel, as well as its ease of tonal “dial-ability” to find YOUR signature sound.
With so many innovative features, the MARK V™ may well just be our most versatile amplifier. Visit a dealer today and hear the magic of the MARK V™, as there is truly no other like it.
FEATURES
Weight & Dimensions:
Weight: 65 Lbs (25.4012kg)
Height: 18¾" Inches (48.90cm)
Width: 22¾" Inches (57.79cm)
Depth: 11½" Inches (26.3525cm)
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The MARK V™ is really a collection of amplifiers. There are far too many circuits and sounds to think of it as merely an amp. It is also a living history of MESA/Boogie®. From the ground-breaking MARK I™ that introduced the world to high-gain with its cascading preamp, to the Mark II™ - the world's first high gain Dual Mode Channel Switching amplifier and its later siblings that introduced Simul-Class™ power. From the MARK III™ that ushered in the era of 3 Channel foot-switching performance, to the MARK IV™ which gave all this power individual control, the MARK V™ is the embodiment of the last 40 years of guitar amp history.
Three distinct Channels present the 3 foot-switchable sounds in a simple to dial platform, but don't let that fool you. beneath each set of controls lies another layer of performance. Each preamp Channel contains 3 distinct Modes that are controlled by a simple mini-toggle MODE switch found in the upper left corner of each Channel. This switch is responsible for the voicing of each Channel. In some cases, these voicings are related by style and give you important musical differences within a gain structure and sonic theme. In other cases, both gain and EQ are radically altered to achieve drastically different sounds - yet these sounds appear on the same set of controls. This is a result of needing a certain circuit architecture and Tone control string to achieve a particular sound style. Sometimes these extreme mode differences require different Gain and Tone control treatments to achieve a recognizable and iconic sound. In other words, it may require some dialling of the controls when you are touring through the modes. With circuits capable of these extremes, there is simply no way to avoid this. Don't worry though, with what you learn in this manual combined with using your ear - you will quickly learn to choose a mode and dial it up to your needs in seconds.
CHANNEL I contains the lowest gain sounds of the three Channels and can be thought of as the Rhythm or Clean channel. The other two channels contain modes that work better for soft clip, medium crunch and high gain rhythm work. There is a tight, skinny CLEAN (toggle up), a warm, rich FAT clean sound with added lower fundamental (toggle centre) and a higher gain pushed version of this architecture found in TWEED (toggle down). A Channel-global BOLD voicing switch adds punch and cut starting in the high mids to help you stand out in a dense mix and give you an increase in headroom.
CHANNEL 2 is the transitional channel between the low gain sounds of CHANNEL 1 and the high gain fury of CHANNEL 3. This channel contains the biggest differences between modes and there is definitely dialling required as you toggle through the voicing Modes. A stripped, British-inspired EDGE (switch up) unleashes low to mid gain aggression. Low mids are added for a thicker, throatier CRUNCH sound that travels up the gain scale while retaining a tight attack. And finally, MARK I flips the architecture to arrive at the iconic high gain voice that put MESA® on the map back in 1970 with the little Boogie amp. This creamy voice is infused with thick bottom end and works great for fattening up single note solo sounds. You may want to run the BASS control very low (off to 10:00) when the GAIN is high in this mode to retain the best attack characteristic and avoid ‘flubbiness’. There is also a NORMAL/THICK switch that affects the MARK I Mode only to add extra gain in the mids for added single note focus.
CHANNEL 3 goes on from there to encompass the best of the MARK™ Series Overdrive sounds. Beginning with the MK II C+™ (switch up) the sound is pure, blistering focus and this is the classic Boogie voice of the 80's that became the foundation for players like John Petrucci, James Hetfield, Kirk Hammett, as well as a staple for L.A.'s first call session players of the day Steve Lukather, Mike Landau, Dean Parks and many more.
The classic V curve on the Graphic EQ became an integral part of this sound and went on to be the sound of choice for some of the hardest hitting Punk and Hardcore bands of the 90's and 2000's and is still currently used by many top acts. The original II C'S bring many times their original selling price - if you can find one - and this faithful recreation of that burning sound is the cornerstone of CHANNEL 3. The MARK IV™ is also represented here in FAT (toggle centre) where a dose of thick midrange gain is added combined with a rounding out of the upper harmonic peak. Finally, EXTREME (switch down) unleashes all the aggression and attack of this circuit for a full gain assault that cuts through any mix. (Beware, the volume jumps up when EXTREME is selected.) There is also a NORMAL / BRIGHT switch included that affects all three Modes in CHANNEL 3.
EQUALIZER
The on-board 5-Band Graphic EQ has been an iconic trademark of MARK™ Series Boogies since they first appeared on the MARK I™ back in 1970. The shaping power of this feature can't be denied, especially when combined with the MARK II's tight, focused gain sound. In the '80's the classic "V" setting of the EQ on MARK II™ and III™ models became a new sound in Heavy Rock and etched the on-board Graphic a place in Rock history.
While the MARK V™ Tone Controls are accurate and effective over a wide range, they come earlier in the signal chain and can only achieve so much shaping before they produce possible imbalances in certain Modes. (One example might be the Bass Control in Channels 2 and 3 - where in the MARK I™ and MARK II-C™ Modes - too much bass dialled up early in the preamp will cause the sound to be tubby and unfocused.
The Graphic EQ comes at the very end of the signal chain so you can shape the final sound with the only consideration being how much of a certain frequency your speakers, cabinets - and ultimately your ears - can handle. (Extreme settings of the two lowest Bands - 80Hz and 240Hz will use up power quickly and overall headroom will be affected, especially in the 50W and 10W settings of the Channel Power switch).
Each Channel is fitted with a mini toggle to select the 5-Band Graphic EQ, but the fun doesn't stop there. The MARK V™ gives you the choice of two ways to utilize the power of the Graphic EQ for each Channel!
The mini-toggle within each Channel (centre mini-toggle) allows you to decide whether you want the EQ on all the time in that Channel - EQ ON (toggle up), off all the time in that Channel - EQ OFF (toggle centre), or activated by the EQ button on the Footswitch - EQ FTSW (toggle down).
A separate mini-toggle for each Channel located in the left side of the Graphic EQ section allows you to select whether you will use the actual SLIDERS (toggle up) to shape your individual EQ curve or, a PRESET contour (toggle down) based on the ever- popular "V" curve. The PRESET Mode is fitted with a PRESET DEPTH control that allows you to dial in the right amount of the PRESET contour for each Channel's sound. For example, you might want to use the SLIDERS selection on Channel 3 to craft your own signature lead sound and two different mixes of the PRESET setting on Channels 1 and 2 for your clean rhythm and crunch sounds.
The ability to choose between these two options when assigning the Graphic EQ to your sounds gives you ultimate flexibility when dedicating the Channels. By combining subtle blends of the Tone controls with the EQ options, virtually any sound you can imagine is at your fingertips. Shaping power like this is what the MARK V™ is all about and another reason to smile, knowing you've made an investment in your long-term musical journey. This is one instrument that can keep pace and grow with you as you evolve, helping you to reach your full potential as a player.
POWER: MULTI-WATT™
The bottom 3 position mini toggle in each Channel (lower left corner) is the MULTI-WATT™ Power feature that determines the amount (wattage) and type (configuration) of power each preamp Channel will be coupled with to create a classic sound. Any amplifier's sound is 50% preamp and 50% power, so this switch is responsible for a large part of a given Channel's personality and feel. The choices repeat for all 3 Channels and they are 90w, 45w, and 10w. Using the switch is simple. just select the power you want for each Channel, keeping in mind that the greatest headroom, focus and authority will always be found in the 90watt position. That's how to use it, but for those who want the full story, here it is.
Since 1981 Simul-Class™ Power has been the heart and soul of the MARK™ Series amplifiers, imparting its sweet, musical character onto any sound in the vast library of the now classic MARK™ legacy. Cleans that shimmer with transparent layers of sweet delicate highs, while the bottom end breathes a warm fundamental under a bed of rich low mid ambience. Never harsh - always fat, the Simul lead tone is the quintessential single-note solo sound that is best described with a human trait, The Vocal.
This patented way of wiring an output section with two (or more) pair of output tubes combines two different styles of wiring configurations to arrive at a blend that showcases the best attributes of both.
In Simul-Class™, one pair of output tubes is wired in the more efficient, cooler running CLASS A/B PENTODE configuration, which produces the greater portion of power and headroom while running cooler. This was the popular way of wiring amplifiers from about the early '60's forward - chosen for its efficient use of tubes, greater power and reliability (recently a quest for the sweetest low-watt circuits triggered a resurgence of amps wired in CLASS A). The only sonic penalty for its greater power (Class A/B Pentode wiring) is that it can tend to bring forward the harsher odd-order harmonic content. The Simul solution; add a pair of tubes running in the less efficient, but infinitely sweeter CLASS A TRIODE configuration. This style of wiring produces far less power out of a pair of tubes while creating more heat, but it emphasizes the even- order sweeter harmonics and transitions to clip with a soft, rich purring quality like no other.
The MARK V™ presents you with two ways to utilize this power. 90watts combines the two wiring styles to deliver the maximum power and headroom. It is substantially sweeter and warmer and is little more scooped than a standard 100watt amp, yet with plenty of punch and authority. 45watts shuts down the middle pair of output tubes wired in CLASS AB and allows you to operate the output section in just the CLASS A mode for a perfect lower wattage range that clips sweeter and earlier, and yet is still plenty powerful enough to play out in medium sized venues.
Combining these two opposite styles of wiring in one amplifier gives you the best of vintage and modern amplifier styles. Headroom and power are there when you need it. but there is always a naturally pleasing and musically curvaceous quality to the sound that is magic to your ears and to your hands. Simul feels great and is inspiring to play!
And finally, the MULTI-WATT™ feature allows you to switch down to 10watts of pure CLASS A TRIODE wired in a Single-Ended configuration. This is the ultimate low wattage output section that captures the essence of the best vintage circuits. Here, the 2nd Harmonic (an octave above the note played) is allowed to pass freely through the circuit, putting a magical halo around the notes that shines and rings with beyond-vintage soul.
These three power choices give you ultimate flexibility as to the styles and venues the MARK V™ can adapt to instantly and in fact, it's like having three separate amps in one case - each having the perfect amount of power for a different application. And when you combine the power of the separate PREAMP Channels, the combinations of EQ and the POWER options, you have the most comprehensive collection of tube amplifiers ever brought together in one chassis. That's a bold statement; but after you spend some time exploring the combinations, we're sure you'll feel the same.
OUTPUT & SOLO™
These two controls the overall output (volume) level of the MARK V™ when the EFFECTS LOOP switch on the Rear Panel is switched into the FX ACTIVE (switch up) position. With the EFFECTS LOOP in the HARD BYPASS (switch down) position the OUTPUT and SOLO are inactive and the overall volume levels will be determined by the MASTER control in the Channels. The EFFECTS LOOP adds a whole stage of amplification and the OUTPUT and SOLO come after this stage. The HARD BYPASS feature is intended for recording or solo playing environments where the balancing of the three channels is not so critical.
The OUTPUT control enables you to raise and lower the entire playing level of the MARK V™ without affecting the balance you have set between the Channels with the Channel MASTER.
The SOLO™ control is a foot-switchable Master Volume for the whole amp that is wired in parallel to the OUTPUT control. This allows you to dial up a pre-set amount of boost and switch to it when it's time to step out for solo passages or any time you want to showcase a part. Simply set your desired overall playing level with the OUTPUT, Select SOLO on the MARK V™ Footswitch and set the desired increase in volume level with the SOLO control.
NOTE: The SOLO control may only be used to increase the volume beyond the level of that set by the OUTPUT. You cannot use the SOLO to switch to a level lower than that set by the OUTPUT Control.
NOTE: Check the setting of the SOLO control before switching to it as it may be set high and cause a shocking increase in volume.
The STANDBY shuts down part of the high voltage to the power tubes so that they can rest at idle without wear. It provides a start-up procedure (follow the Cold Start procedure. wait at least 30 seconds after powering up with the POWER switch before turning the STANDBY to ON). This reduces the shock on cold power tubes and increases their life. The STANDBY is also great for muting the sound during speaker changes and should also be used to cool the amp down during set breaks or when swapping tubes.
A built-in Variac™ is included on the POWER switch so that you may run the entire amp on a reduced voltage "brown-out" condition. This reduced voltage changes the sound and feel of the entire amplifier. SPONGY Power scoops the midrange and increases the sag to achieve a more vintage, looser, easier-to-clip character. FULL POWER (BOLD) delivers maximum headroom, focus and punch and is considered the "normal" mode of operation.
OVERVIEW: REAR PANEL
A four-position CHANNEL SELECT rotary control is provided to access the 3 Channels when the Footswitch is not connected (in the studio) or available. Simply select which of the Channels you wish to play using this control when the footswitch is not in use. When the Footswitch is to be used, select the position to the far right (when facing Rear Panel) labelled FT SW and insert the DIN connecter on the Footswitch Cable into the FOOT SWITCH jack on the right side of the Rear Panel.
A five-position rotary LOOP ASSIGN switch is provided to assign the EFFECTS LOOP to any or all the Channels or, select FTSW to trigger the LOOP on and off with the MARK V™ Footswitch. The EFFECTS LOOP must be in the FX ACTIVE position for the LOOP ASSIGN rotary to function
NOTE: Check the OUTPUT level setting before activating the EFFECTS LOOP with the FX ACTIVE / BYPASS switch (near centre of Rear Panel) to avoid damage to your ears, those of bystanders and to your speakers.
Four ¼" EXTERNAL SWITCHING phono jacks are provided for remote control of the MARK V™ Channels, EQ and SOLO™ control from a master (possibly midi controlled) switcher. This feature is extremely important if the MARK V™ is to be used in a live stage set-up where all amplifiers and processors are controlled under one keystroke from a programmable master switching device.
NOTE: The four EXT SWITCHING jacks respond to standard grounding type (tip to ground) latching (not momentary) logic. This switching logic is standard on most master switching units.
The EFFECTS LOOP is fitted with a HARD BYPASS feature that removes a whole tube (two stages) and all associated circuitry from the signal path for the purist who insists the most direct path to tone in the studio. When the EFFECTS LOOP is activated by switching to LOOP ACTIVE (switch up) there is an adjustable SEND LEVEL control to assure optimum performance with your processing devices.
NOTE: Remember that the HARD BYPASS removes the OUTPUT and SOLO controls from the signal path and the individual Channel MASTER controls become the overall volume level controls.
Individual REVERB controls for each Channel allow you to set the desired mix of the rich all-tube Reverb effect for each Channel without compromise. The REVERB effect can be taken in and out of the signal path with the REV button on the MARK V™ Footswitch.
A PENTODE / TRIODE mini toggle switch (located just under the CH 3 REVERB Control) allows you to choose the wiring configuration of the middle pair of power tubes in Channel 3 only. This is a feature that was popular on the MARK IV™ and changes the personality of the attack and liquidity of the sound in the higher gain condition found in Channel 3. PENTODE produces a bolder, tighter voice that has a more pronounced midrange curve and is excellent for adding percussive authority to lower gain single note solo sounds. TRIODE softens the attack and scoops the mids a bit to create a more liquid, legato feel that really shines for high gain styles and faster playing.
Switchable Rectifiers makes its debut on the MARK™ Series for the first time here on the MARK V™ in the form of Rectifier Tracking™. Channels 1 and 2 are fitted with individual mini toggles (located under the Channel 1 and 2 REVERB Controls) that allow you to choose between the tight, bold - higher headroom response of Silicon DIODES or the saggier, sweeter low-output looseness of TUBES in the 45watt Power setting only. The 90watt setting automatically selects the Silicon Diodes and the 10watt setting requires the Tube Rectifier to operate safely.
Two 8-Ohm and two 4-Ohm SPEAKER OUTPUTS are provided and with these jacks almost any speaker cabinet configuration can be accommodated. The MARK V™ is not overly sensitive to impedance mismatches, so feel free to experiment with different cabinet schemes without fear of damage to your amplifier. Different loads will change the response, possibly to your liking. An 8-Ohm load will produce the punchiest, tightest sound and the maximum headroom. Keep in mind that the (power) tube life will be increased by running either an 8 or 4-Ohm overall load.
A ¼" TUNER OUTPUT is provided, and a SILENT TUNING feature has been incorporated so you can tune the instrument onstage without bothering the band or audience. Simply connect your favourite tuner and tap the TUNE the button on the MARK V™ Footswitch and all sound to the Speaker Outputs is muted.
A SLAVE OUTPUT and SLAVE LEVEL Control allows you to capture the full sound of the MARK V™, both preamp and power section, for a feed to processing racks and/or additional power amps (perhaps MESA Stereo Rack power) for big venue applications.
NOTE: Always start any SLAVE hook-up procedure by zero-ing out the SLAVE LEVEL Control to avoid possible damage to your speakers or your ears! In fact, it is good practice to leave the SLAVE LEVEL Control set to 7:00 (OFF) when it is not in use to avoid accidents.
The FOOT SWITCH DIN jack (female) is conveniently located on the right side of the Rear Panel and accepts an 8-PIN Male DIN cable. Connect the MARK V™ Footswitch here.
The Cooling Fan is fitted with an ON/OFF switch to allow silent running in the studio or late-night practicing in the lower wattage settings. MESA recommend leaving the FAN on whenever possible to increase the tone-ful life of your power tubes. Basically, if the sound doesn't bother you. leave the Cooling Fan on all the time.
Finally, a BIAS SELECT switch is included that allows you to run EL34 power tubes in place of the stock compliment of 6L6's. The EL34 style tubes will produce a brighter, skinnier sound that will clip with a whole different harmonic content that can be nice, especially for recording where you may not need the Channel switching performance of all 3 Channels and can dedicate the amplifier to one specific sound. The 6L6'S will most likely perform better for a wide range of sounds and certainly sound fatter and richer on most all the sounds and produce the greatest clean headroom. Whichever tubes you prefer, MAKE SURE THE SETTING OF THE BIAS SWITCH MATCHES THE TUBES IN USE!
NOTE: ALWAYS CHECK THE BIAS SWITCH AFTER SWAPPING TUBES AND EVEN AFTER TRANSPORTING YOUR AMPLIFIER! THE BIAS SWITCH MUST BE SET FOR THE TUBES IN USE!
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MESA/Engineering® HISTORY
MESA/Boogie® (also known as MESA/Engineering®) is an American company in Petaluma, California USA, that manufactures music instrument amplifiers for guitars and basses. It has been in operation since 1969.
MESA was started by Randall Smith as a small repair shop which modified Fender® amplifiers, particularly the diminutive Fender® Princeton. Smith's modifications gave the small amps much more input gain, making them much louder as well as creating a high-gain, distorted guitar tone. Prominent early customers included Carlos Santana, and Ron Wood and Keith Richards of The Rolling Stones. Exposure from these top players helped to establish Mesa/Boogie's position on the market, and it is frequently referred to as the first manufacturer of the boutique amplifiers.
Founder, Randall Smith Early Life
Randall Smith was born into a musical family in Berkeley, California in 1946. His mother and sister played piano and his father was the first-chair clarinet with the Oakland Symphony Orchestra, played tenor sax, had a radio show and led a hotel dance band. Smith believes all of his early musical experiences taught him how to hear tone.
As a young Boy Scout, Smith was interested in earning a merit badge in woodcarving. Stan Stillson, the Boy Scout leader became a mentor. Smith and Stan’s son, Dave, were close in age. They became great friends and built ham radios together. Smith’s father had a good friend, Ernie, who built hi-fi turntables and gave him a couple to experiment on until he was 11 or 12.
He attended Miramonte High in Orinda, CA and graduated in 1964. His freshman year he attended UC Santa Barbara, as his parents wanted him removed from the influences of Berkeley (20 minutes from Orinda). However, he would hop freight trains nearly every weekend from Santa Barbara to the Bay Area to see friends and return to the Beat coffee houses and bookstores of Berkeley. The next four years he attended UC Berkeley studying humanities, English Literature and "invitation only" creative writing courses where he mostly wrote accounts of riding the rails with various hobos, but never quite graduated. Most interesting is that he never once took an electronics course in high school or university. His first major electronics was scratch-building Ham Radio transmitter using 6146 power tube. At only around 60 watts, the signal reached Alaska and most of the US.
Prune Music Store
Smith wanted to participate in the burgeoning San Francisco music scene, having been taught clarinet and a little sax by his father, but he took up drums, as it was the easiest to learn quickly. He played with a local blues and jam band and co-founded the band Martha's Laundry, which later morphed into Prune Music store, with keyboardist Dave Kessner. They opened the store in 1967 inside a building that had been a Chinese grocery store. He worked as a repair tech in the back while Dave ran the front of the store. Offshoots of Prune Music continue in Berkeley to this day with Subway Guitars, Sam Cohen (aka Fat Dog) and Guitar Resurrection in Austin, TX with former Martha's Laundry guitarist, Jim Lehman (aka Lizard Slim). They were partners until 1975. Their store never generated a huge profit, but it became best alternative music store in the hippie scene.
"This Thing Boogies"
Mesa/Boogie began with a practical joke: he borrowed a Fender® Princeton (a small 12-watt amplifier) from his friend, Barry Melton of Country Joe & The Fish, and hot-rodded it by replacing the amplifier section with that of a Fender® Bassman and installing a 12-inch speaker instead of the original 10-inch. The resulting amplifier proved to be loud and successful, and Smith made more than 200 of these Princeton "Boogies"—a name allegedly provided by Carlos Santana, who is to have exclaimed "This thing boogies!"
MESA/Engineering®
The MESA name came about through Smith's other job, rebuilding Mercedes engines. Smith decided to set up MESA/Engineering® so he could purchase wholesale parts for amps and engines. He needed an official sounding name through which to buy Mercedes parts and building supplies, and chose MESA/Engineering®. As the demand for his amps grew, Randall decided it would be best to move his workshop out of the storefront to get away from the distractions. He relocated to what was formerly a plywood dog kennel, then, eventually, to his home.
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THE MESA/Engineering® MESA/Boogie® STORY
Excellence - Living The Code
The story of MESA/Boogie® is an American story. It’s a musical story and a human-interest story, roots to world-renown. It’s based on simple, basic principles that never change or go out of style. It’s a story of doing the right thing, of not taking shortcuts and of never giving up until you achieve, in earnest, what you set out to do. It involves vision, passion, drive, honesty, wisdom, perseverance, trust and the ever-empirical approach of less talk and more action. Undersell and exceed expectations.
It’s a story of treating people with respect, even when it’s not profitable. It’s the story of one man’s vision inspiring two generations of contributors who have both followed and guided their mentor to a place that eclipsed where any could have taken it alone. It’s the tale of a small business owner that never sold out, despite many enticing offers, in favour of keeping it real and continuing to innovate. It’s the story of a worldwide family of fiercely proud devotees with unwavering loyalty.
The story of MESA/Boogie® represents different things to different people; many sounds for many styles, many solutions for many needs, many roads to what we all seek . . . inspiration. Yet perhaps one phrase–one concept more than any other–best captures the essence of MESA/Boogie®; The Relentless Pursuit Of Excellence.
As sunset fell on the ‘60s, the San Francisco music scene was literally exploding. Great musicians from all styles were mixing it up in this counter-culture epicentre where fans of all ages were ripe for the picking and young musical explorers were becoming pop icons overnight.
At the centre of all this new music was electric guitar. As a vehicle for expression, no other instrument offered the versatility, sonic power, and of course sex appeal, of the electric guitar. And while it was recognized as both a rhythm and lead instrument, a twist of fate found drummer and saxophonist Randall Smith preoccupied with the solo potential of the Bay Area’s six-string darling.
While a musical revolution was raging across the Golden Gate, simultaneously in Marin’s Rock Star-studded hamlet of Mill Valley and redwood-thick haven of Lagunitas, young Randall Smith was doing some serious sonic pioneering. With a rich musical background and a love for tube-based electronics, Smith was working diligently toward a high gain revolution of his own in guitar amplifiers.
Even as he was working for the Bay Area’s biggest stars doing amp repairs, behind the scenes Smith was developing a totally new “cascading” tube pre-amp circuit squeezed into in a compact high power combo amplifier that would change the way guitarists would sound–and play–forever more.
Often using his noteworthy clients as test pilots, one day he had a breakthrough while helping Country Joe & The Fish guitarist Barry Melton. He quickly went home, perfected the idea, and called upon local hero Carlos Santana to plug in and give it a spin. After riding a wave of inspiration for long enough to gather a substantial crowd that afternoon in Mill Valley outside Prune Music’s front window where they met for the maiden voyage, Carlos stopped playing and proclaimed, “Man, this thing really Boogies”! It was a defining moment for the future of electric guitar sounds.
The game-changing little high gain Boogie® would go on to have a huge impact on the music of the ‘70s as guitarists finally had the ability to hold notes indefinitely with their newfound sustain. At the dawn of a new decade, another landmark feature in guitar amplification came out of the Lagunitas shop with the introduction of the world’s first channel switching amplifier in 1980, the MARK II®.
Throughout the ‘80s and ‘90s a score of additional innovative and patented improvements saw MESA/Engineering® emerge as the leader in tube amplifier technology. But none of these vital, now-commonplace improvements sparked the kind of attention MESA received in 1991, when high gain was re-defined once more with the birth of the MESA/Boogie® Dual Rectifier® Solo Head, which commanded the Rock airwaves for the next 15 years.
NOW...
Forty-five years and thousands of satisfied customers later, MESA/Boogie® Ltd hand-builds the fifth generational offspring of that pivotal amplifier (and many more) now known around the globe as the MARK I Boogie®; the world’s first high gain, high power, compact 1x12 amplifier. That revolutionary little combo is the “missing link” in amp design... the pivotal nexus between Vintage and Modern guitar amplifiers. When it comes to amplified guitar, there’s really just two epochs… before Boogie®, and after Boogie®.
Today, 30 miles from the mountain shack where those first “Snakeskin” Boogies were born, we still hold true to the simple but increasingly rare principles Randy used to catapult MESA/Boogie® onto the world stage. Hand-building the very best instruments we can and treating each and every customer as we ourselves would wish to be treated has kept us there.
We are still privately owned–one of the last American music companies to be so–and have no profit-hungry investors cutting corners between you and your Tone. Every product we make is hand-built in our one and only shop in Petaluma, California and our artisans are tenured with an average of 15 years at their post, many for MUCH longer. We answer to no one except you and our own uncompromising ethical standards.
We are proud of our place in history as the original “Boutique” amplifier company, but recognize that we must still earn daily, our reputation as one of the most respected and prestigious brands in the musical instrument industry. So as you discover our historically important contributions to the art of amplifier design and journey through our vast product line, rest assured we continue to pioneer and improve–as we have from the start – the possibilities for your expression and our unparalleled Customer Service.
We‘d be honoured to be your amplifier company and welcome you to the worldwide family of MESA® players who have found inspiration and the confidence to reach new musical frontiers through our instruments. We have one goal and it’s deeply rewarding to us; to help you sound your very best and be a catalyst for you to achieve your musical dreams.
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We are the NSW Mid-North Coast Franchise Dealer for these (and more) quality musical instruments & equipment plus loads more guitar, drum, keyboard, recording, and live brands.
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Contact Us:
∎ N E W T O N E M U S I C ∎ GUITAR TRAINING CENTRE
58 COMMERCE STREET | TAREE NSW 2430
(PH) 0 2 6 5 5 2 1 4 4 4 | (PH) 0 4 0 7 1 1 4 1 1 2
(E) groundy @ tsn.cc
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★For more than 25yrs at NEWTONEMUSIC we provide★
✓ FREE SHIPPING depot-to-depot to all states (except WA & NT).
✓ Full 5 YEAR NEW Manufacturers WARRANTY.
✓ (or 1 YEAR Classic USED WARRANTY (excluding valves).
✓ LAYBY without time limits & receipts showing remaining balance.
✓ PAYPAL Safe & Secure Payment.
✓ CREDIT CARD phone MOTO & BPOINT payments accepted.
✓ NO INTERESTED EVER Finance available.
✓ BANK DEPOSIT to:
Groundwater's Guitar School Inc
58 Commerce Street, Taree NSW 2430
( BSB: 0 6 2 6 0 3 / ACC: 1 0 1 7 1 0 9 2 )
✓ PHONE SUPPORT (Long Hours) 02 6552 1444 / 0407 114 112
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★ BRAND NEW | SEALED BOX ★ FREE FREIGHT | 5-YEAR WARRANTY | LIMITLESS LAYBY | MULTIPLE PAYMENT OPTIONS
A$6,495.00 Regular RRP - A$5,999.00 On Sale
SKU: NTM-2.MVMX.BB-N
∎ MESA/Boogie® (MESA/Engineering®) Mark V™ (Mark Five™) 10/45/90watt Multi-Watt™ (Per-Channel Assignable) 3-Channel 9-Mode All Tube 4 x 6L6 Valve Electric Guitar Amplifier Head w/- 3-Band EQ & 5-Band Graphic EQ, Simul-Class™ Power, 4 x Speaker Outputs, 1 x Slave Output, 1 x Tuner Output as well as 8-Button Footswitch, Cables, Slip Cover, Manuals, etc (Made in U.S.A.) 240volts Australian Power. Black Bronco Vinyl.
FREE FREIGHT | FULL 5-Year Manufacturers FACTORY WARRANTY | LIMITLESS LAYBY | MULTIPLE PAYMENT OPTIONS | NO INTEREST EVER Finance available.
● Shhhh! . . . We are Australia's Cheapest - ONLY AU$5,999.00 ! ! !
● Regular New Price is AU$6,495.00 RRP ! ! !
● CRAZY - A FULL 15% OFF ! ! !
This Ultra-Versatile MESA/Boogie® Has it All!
The MESA/Boogie® Mark V™ Guitar Amplifier Head will take you on a tonal journey through the company's illustrious history with some new capabilities thrown in. Whether you're craving the sound of the Mark I™'s high-gain cascading preamp or the fat, wide tone of the Mark IV™, the Mark V™ delivers. At N E W T O N E M U S I C, we've been blown away by what this ultra-versatile guitar amp is capable of. The Mark V™ lets you dial up anything from tweed-like tones to British crunch to the highly coveted trademark Boogie® overdrive. Featuring a 5-band EQ, Multi-Watt™ and Simul-Class™ power, and three channels of sonic mayhem, the MESA/Boogie® Mark V™ Guitar Amplifier Head will give you all of the clarity, crispness, and punch that you can handle!
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A NEW GENERATION OF ROCK ROYALTY
• 3 Independent Channels each w/- breathtaking 2-Modes for American-sounding clean tones (1st Ch), aggressive crunch (2nd Ch), & thick high gain (3rd Ch).
• 9 Modes across 3-Channels (Channel 1 = clean tones, Channel 2 = aggressive crunch, Channel 3 = thick high gain)
• 3 Voices Per Channel that are accessed by toggle switches on the front and this will allow you to tailor the amp to your sound.
• Swap Valves - Choose either EL34, 6V6 or 6L6 tubes - NO re-bias required.
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WHAT'S IN THE SEALED BOX:
- 1 x MESA/Boogie® Mark V™ 3-Ch 10/45/90w 9-Mode Valve Electric Guitar Amplifier Head
- 1 x 8-Button Footswitch
- 1 x Footswitch Cable
- 1 x Footswitch Bag
- 1 x Owner's Manual
- 1 x Removable Casters
- 1 x Plush Padded Slip Cover
The Home of Tone®
Over 20 years have passed, two generations of guitarists and several musical trend-cycles since the Dual Rectifier® first unleashed its crushing wall of gain on radio. In that time many have mimicked, modelled, dissected and plagiarized it, but it remains firmly planted at the centre of hard-core… a rock icon. Still leaving the widest, deepest footprint in heavy music and now a long list of chart-topping devotees outside the world of heavy, the Rectifier series has grown to include several now famous heavies like the Triple Rectifer®, Road King®, Roadster®, Mini Rectifier®, and Recto®-Verb 25. Welcome to the Rectifier® Series, a line of MESA/Boogie® amplifiers that have shaped modern guitar tone, forever glorified in recording history, influencing guitar amplification technology from the day they were launched on the scene to this very day.
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MESA/Boogie® Mark Five™ 10/45/90w Multi-Twatt™ (Per-Channel Assignable) 3-Channel 6-Mode All Tube Valve Electric Guitar Amplifier Head AT A GLANCE:
- Three channels give you plenty of sonic possibilities
- Three voicings on each channel for even more tonal versatility
- Graphic EQ provides you with a wide range of sound-shaping options
- Multi-Watt and Simul-Class power let you control your amp's personality
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Three channels give you plenty of sonic possibilities
The MESA/Boogie® Mark V™ Guitar Amplifier provides you with three channels of sonic possibilities. Channel one gives you a range of clean tones that blend vintage tube characteristics with a shimmery high end, resulting in a crystal-clear, boutique-like tone. Channel two is the right choice for when you're looking for a thick, throaty crunch with tight attack. Channel three gives you the iconic high-gain sound that became associated with players like John Petrucci, James Hetfield, and Kirk Hammett in the 1980s.
Three voicings on each channel for even more tonal versatility
In addition to the MESA/Boogie® Mark V™ Guitar Amplifier's three channels, you also get three distinct voicings for each channel that are controlled by a simple mini-toggle switch. In some cases, these voicings are related by style and give you important musical differences within a gain structure and sonic theme. In other cases, both gain and EQ are radically altered to achieve drastically different sounds. Make no mistake - you'll spend hours upon hours experimenting with different gain and tone control treatments while sifting through the Mark V's voicings, recreating some recognizable tones from Mesa/Boogie's past (and inventing some new ones of your own).
Graphic EQ provides you with a wide range of sound-shaping options
While the MESA/Boogie® Mark V™ Guitar Amplifier gives you standard tone controls, you also get a 5-band graphic EQ for even more sound-shaping. By using the Mark V's graphic EQ in conjunction with a high-gain sound, you'll be able to perfectly replicate the classic V curve that became a staple of heavy metal guitar tone in the 1980s. Each channel is fitted with a mini toggle to turn the graphic EQ on or off. You can even make the EQ foot-switchable!
Multi-Watt and Simul-Class power let you control your amp's personality
The MESA/Boogie® Mark V™ Guitar Amplifier lets you alter the amount (wattage) and type (configuration) of power each individual channel will be coupled with, giving you unprecedented control over the character and personality of your amp. Lowering the wattage of the Mark V decreases its headroom, making it easier to push it into overdrive. The Mark V is also wired so that it can operate in both a Class A triode configuration and/or a Class A/B pentode configuration, depending on which wattage you select. You can use two power tubes to operate the Mark V in Class A mode at 10 watts, emphasizing even-order harmonics for a sweet tone with a soft, rich purring quality, or you can use two tubes running in A/B mode at 45 watts, emphasizing odd-order harmonics for a harsher sound. The best part, however, is that you can use four tubes running in both Class A and Class A/B modes simultaneously at 90 watts, giving you the best of both worlds!
MESA/Boogie® Mark V™ Guitar Amplifier Head Features:
- 3 channels give you plenty of sonic possibilities
- 3 voicings on each channel for even more tonal versatility
- Graphic EQ provides you with a wide range of sound-shaping options
- Multi-Watt power gives you variable wattage control
- Simul-Class power lets you alter the amp's power configuration
- True hard-bypass switch removes FX loops, output level, and solo level controls from the signal path
The MESA/Boogie® Mark V™ Electric Guitar Amplifier - an all-tube head with a stellar legacy and serious tone!
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Quick Overview
Build Location
Hand-Wired In Petaluma, CA with the World's Finest Materials
Wattage
Multi-Watt™ 10, 45 or 90 (Channel Assignable)
Power Tube Type
4x6L6 (or EL-34)
Channels & Modes
3 Channels / 9 Modes
Mode Voicings / Styles
Ch. 1 = Clean, Fat or Tweed
Ch. 2 = Edge, Crunch or Mark I™
Ch. 3 = Mark IIC+™, Mark IV™ or Extreme
Graphic EQ / Reverb / FX / Solo
Reverb, FX Loop & Solo
Foot-switchable Functions
Ch. 1, 2, 3, Solo, Reverb, FX Loop, Graphic EQ, Mute
Weight
44 Lbs.
Dimensions
10" H x 22 3/4" W x 11 3/4" D
Available Formats
Head & 1x12 Combo
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Technical Specifications Overview
Type: Tube
Number of Channels: 3
Total Power: 90w (45w/10w Settings)
Preamp Tubes: 7 x 12AX7
Power Tubes: 4 x 6L6 (Power), 1 x 5U4 (Rectifier)
Reverb: Tube Driven, Long Spring Reverb
EQ: 3-Band EQ, 5-Band Graphic EQ
Inputs: 1 x ¼" (Instrument)
Outputs: 4 x ¼" (2 x 8-Ohm, 2 x 4-Ohm), 1 x ¼" (Slave), 1 x ¼" (Tuner)
Effects Loop: Yes, Hard Bypass switchable
Footswitch I/O: 4 x ¼", 1 x 8-Pin DIN (Channel, Solo, EQ, Reverb, FX Loop, Tuner Mute)
Footswitch Included: Yes, 8-Button Footswitch
Construction Material: Cream w/- Black Grille
Power Source: Standard IEC AC cable
Height: 10.00"
Width: 22.75"
Depth: 11.75"
Weight: 65 lbs.
Manufacturer Part Number: 1.MV1.117D.V10.G01.P01.H03.C01.C90
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OVER 40 YEARS OF RANDALL SMITH’S INNOVATION IN ONE AMP
IT TOOK 40 YEARS of Randall Smith's experience designing high-performance tube amplifiers to get this much TONE under one roof and keep it easy to dial. More than a collection of amplifiers, the MARK V™ is a living history of MESA®'s contributions and a tribute to the evolution of electric guitar tone.
The MARK V™ is really a collection of amplifiers. There are far too many circuits and sounds to think of it as merely an amp. It is also a living history of our company. From the ground-breaking MARK I™ that introduced the world to high-gain with its cascading Pre-Amp, to the Mark II™ - the world’s first high gain Dual Mode Channel Switching amplifier and its later siblings that introduced Simul-Class™ power. From the MARK III™ that ushered in the era of 3 Channel foot-switching performance, to the MARK IV™ which gave all this power individual control, the MARK V is the embodiment of the last 40 years of guitar amp history.
THEY'RE ALL HERE: the MARK I™, the MARK IIC+™, the MARK IV™… all these are faithful recreations that benefit from our decades of refinement and leave many saying they're better than the original! More than our Greatest Hits, you'll also find some new Brit-inspired circuits here that rival these classic Boogie® sounds and are destined to become iconic on their own merit.
9 AMPLIFIERS IN 1 WITH 9 PATENTS DEFINING A HISTORY OF INNOVATION
9 Amplifiers in 1: A lifetime investment. No less than 9 patents stand guard over your Tone... ensuring your investment will be protected and your amp will hold its value. (MARK IIC™'s and MARK IV™'s still sell for more than their original purchase price). Beware of imitators! Fine musical instruments never go out of style and the MARK IV™ is no exception.
Like its predecessor the MARK IV™ - in steady production for over 19 years - the MARK V™ is an investment in your musical future. The 9-Pre-Amps and 3-Power Amps it contains trace their roots back to the beginnings of amplified guitar. Yet while their lineage is time tested, the performance they unleash is brand new and cutting edge. This collection of amps will propel you through any musical style and project, and band any era of your development with confidence and command.
3 FOOTSWITCHABLE CHANNELS, 3 MODES PER CHANNEL
3 distinct Channels present the 3 foot-switchable sounds in a simple to dial platform, but don't let that fool you… beneath each set of controls lies another layer of performance. Each preamp Channel contains 3 distinct Modes that are controlled by a simple mini-toggle MODE switch found in the upper left corner of each Channel, which is responsible for the voicing of each Channel.
MULTI-WATT™ POWER
The MARK V™ features our popular channel assignable Multi-Watt™ Power that determines the amount (wattage) and type (configuration) of power each preamp channel will be coupled with to create a classic sound via independent channel switches. Any amplifier's sound is 50% preamp and 50% power, so these switches are responsible for a large part of a given Channel's personality and feel. The choices repeat for all 3 Channels and they are 90w, 45w and 10w. Using the switch is simple… just select the power/feel you want for each Channel, keeping in mind that the greatest headroom, focus and authority will always be found in the 90watt position.
ICONIC BOOGIE® 5-BAND GRAPHIC EQ
Each Channel is fitted with a mini-toggle to select the 5-Band Graphic EQ, but the fun doesn't stop there. The MARK V™ gives you the choice of two ways to utilize the power of the Graphic EQ for each Channel! The mini-toggle within each Channel (centre mini-toggle) allows you to decide whether you want the EQ on all the time in that Channel, off all the time or activated by the EQ button on the Footswitch.
A separate set of mini-toggles to select SLIDERS or PRESET for each Channel (located in the left side of the Graphic EQ section) allows you to select whether you will use the actual SLIDERS to shape your individual EQ curve or, a PRESET contour based on the ever- popular "V" curve. The ability to choose between these two options when assigning the Graphic EQ to your sounds gives you ultimate flexibility when dedicating the Channels. By combining subtle blends of the Tone controls with the EQ options, virtually any sound you can imagine is at your fingertips.
LEGENDARY SIMUL-CLASS™ POWER
Since 1981 Simul-Class™ Power has been the heart and soul of the MARK Series™ amplifiers, imparting its sweet, musical character onto any sound in the vast library of the now classic MARK legacy. The MARK V™ proudly carries that legacy forward with Cleans that shimmer with transparent layers of sweet delicate highs, while the bottom end breathes a warm fundamental under a bed of rich low mid ambience. Never harsh, always fat, the Simul-Class™ lead tone is the quintessential single-note solo sound that is best described with a human trait…VOCAL.
The MARK V™ provides access an unprecedented number of tone-shaping features. At first glance it might seem a little intimidating but with a second look you’ll discover that it’s very intuitive, as each channel has the same basic features repeated - Once you know one, you basically know them all. Better yet, we designed the MARK V™ to deliver exceptional, fast and easy “plug and play” convenience. You’ll be amazed by the instant tonal gratification from each channel, as well as its ease of tonal “dial-ability” to find YOUR signature sound.
With so many innovative features, the MARK V™ may well just be our most versatile amplifier. Visit a dealer today and hear the magic of the MARK V™, as there is truly no other like it.
FEATURES
- Designed & Handcrafted in Petaluma, California
- Simul-Class™ Power Amp (Patents 4,532,476 & 4,593,251) featuring Multi-Watt™ (Patent 7,602,927) and Duo-Class™ (Patent 7,173,488) technologies which provide three power and three operating class options that are channel assignable via 10/45/90 Watt Power Switches: Choose 2 power tubes operating in pure vintage Class A (single-ended), producing 10 Watts - 2 tubes running in time-honoured Class A/B producing 45 Watts or 4 tubes running in Mesa's legendary, patented Simul-Class Power that blends the best of Class A and Class A/B simultaneously to produce 90 Watts of pure tonal magic / 4x6L6 (or 4xEL-34), 7x12AX7, 1x5U4
- Bias Select Switch (6L6/EL34)
- Fixed Bias for Consistent, Maintenance Free Performance
- Full Power/Variac™ Power Switch (Patent 5,091,700)
- 3 Fully Independent Channels with 9 Modes (Channel 1 = Clean, Fat or Tweed™, Channel 2 = Edge, Crunch or Mark I™, Channel 3 = Mark IIC+™, Mark IV™ or Extreme)
- Normal/Bold Switch on Channel 1, Normal/Thick Switch on Channel 2 (Mark I mode only), Normal/Bright Switch & Pentode/Triode Switch on Channel 3
- Each Channel features: Independent Gain, Treble, Mid, Bass, Presence, Master, Foot-Switchable or Auto-Assignable Contour Depth Control, Foot-Switchable All-Tube, Long Spring Reverb Control, Rectifier Tracking™ (Auto-selects Tube for all 10 Watt Modes, Diode for all 90 Watt Modes, selectable Tube or Diode for 45 Watt Modes on Channels 1 and 2, Diode for 45 Watt Mode on Channel 3 - Patents 5,168,438 & 7,193,458)
- 5 Band Graphic EQ is Foot-Switchable, Channel Assignable and Selectable between 1 group of 5-Band Sliders or 3 channel specific, variable depth Contour Controls
- Foot-Switchable, Channel Assignable or True By-Passable Fully Buffered FX Loop with Send Level Control (over all channels when activated)
- Output Level Control (over all channels when activated)
- Foot-Switchable Solo Level Control – Patent 6,724,897 (over all channels when activated)
- True "Hard" Bypass Switch removes FX Loops, Output Level & Solo Level Controls from signal path
- Tuner Output w/- Foot-Switchable Mute
- Slave Out w/Level Control
- Fan Cooled with On/Off Switch
- External Switching Jacks for Channels 2, 3 (channel 1 is default), EQ & Solo
- Aluminium Chassis
- 4x4 - 8 Button Footswitch (Bottom Row: Channel 1, Channel 2, Channel 3, Solo – Top Row: Reverb, FX Loop, EQ & Tuner Mute)
- Slip Cover
Weight & Dimensions:
Weight: 65 Lbs (25.4012kg)
Height: 18¾" Inches (48.90cm)
Width: 22¾" Inches (57.79cm)
Depth: 11½" Inches (26.3525cm)
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The MARK V™ is really a collection of amplifiers. There are far too many circuits and sounds to think of it as merely an amp. It is also a living history of MESA/Boogie®. From the ground-breaking MARK I™ that introduced the world to high-gain with its cascading preamp, to the Mark II™ - the world's first high gain Dual Mode Channel Switching amplifier and its later siblings that introduced Simul-Class™ power. From the MARK III™ that ushered in the era of 3 Channel foot-switching performance, to the MARK IV™ which gave all this power individual control, the MARK V™ is the embodiment of the last 40 years of guitar amp history.
Three distinct Channels present the 3 foot-switchable sounds in a simple to dial platform, but don't let that fool you. beneath each set of controls lies another layer of performance. Each preamp Channel contains 3 distinct Modes that are controlled by a simple mini-toggle MODE switch found in the upper left corner of each Channel. This switch is responsible for the voicing of each Channel. In some cases, these voicings are related by style and give you important musical differences within a gain structure and sonic theme. In other cases, both gain and EQ are radically altered to achieve drastically different sounds - yet these sounds appear on the same set of controls. This is a result of needing a certain circuit architecture and Tone control string to achieve a particular sound style. Sometimes these extreme mode differences require different Gain and Tone control treatments to achieve a recognizable and iconic sound. In other words, it may require some dialling of the controls when you are touring through the modes. With circuits capable of these extremes, there is simply no way to avoid this. Don't worry though, with what you learn in this manual combined with using your ear - you will quickly learn to choose a mode and dial it up to your needs in seconds.
CHANNEL I contains the lowest gain sounds of the three Channels and can be thought of as the Rhythm or Clean channel. The other two channels contain modes that work better for soft clip, medium crunch and high gain rhythm work. There is a tight, skinny CLEAN (toggle up), a warm, rich FAT clean sound with added lower fundamental (toggle centre) and a higher gain pushed version of this architecture found in TWEED (toggle down). A Channel-global BOLD voicing switch adds punch and cut starting in the high mids to help you stand out in a dense mix and give you an increase in headroom.
CHANNEL 2 is the transitional channel between the low gain sounds of CHANNEL 1 and the high gain fury of CHANNEL 3. This channel contains the biggest differences between modes and there is definitely dialling required as you toggle through the voicing Modes. A stripped, British-inspired EDGE (switch up) unleashes low to mid gain aggression. Low mids are added for a thicker, throatier CRUNCH sound that travels up the gain scale while retaining a tight attack. And finally, MARK I flips the architecture to arrive at the iconic high gain voice that put MESA® on the map back in 1970 with the little Boogie amp. This creamy voice is infused with thick bottom end and works great for fattening up single note solo sounds. You may want to run the BASS control very low (off to 10:00) when the GAIN is high in this mode to retain the best attack characteristic and avoid ‘flubbiness’. There is also a NORMAL/THICK switch that affects the MARK I Mode only to add extra gain in the mids for added single note focus.
CHANNEL 3 goes on from there to encompass the best of the MARK™ Series Overdrive sounds. Beginning with the MK II C+™ (switch up) the sound is pure, blistering focus and this is the classic Boogie voice of the 80's that became the foundation for players like John Petrucci, James Hetfield, Kirk Hammett, as well as a staple for L.A.'s first call session players of the day Steve Lukather, Mike Landau, Dean Parks and many more.
The classic V curve on the Graphic EQ became an integral part of this sound and went on to be the sound of choice for some of the hardest hitting Punk and Hardcore bands of the 90's and 2000's and is still currently used by many top acts. The original II C'S bring many times their original selling price - if you can find one - and this faithful recreation of that burning sound is the cornerstone of CHANNEL 3. The MARK IV™ is also represented here in FAT (toggle centre) where a dose of thick midrange gain is added combined with a rounding out of the upper harmonic peak. Finally, EXTREME (switch down) unleashes all the aggression and attack of this circuit for a full gain assault that cuts through any mix. (Beware, the volume jumps up when EXTREME is selected.) There is also a NORMAL / BRIGHT switch included that affects all three Modes in CHANNEL 3.
EQUALIZER
The on-board 5-Band Graphic EQ has been an iconic trademark of MARK™ Series Boogies since they first appeared on the MARK I™ back in 1970. The shaping power of this feature can't be denied, especially when combined with the MARK II's tight, focused gain sound. In the '80's the classic "V" setting of the EQ on MARK II™ and III™ models became a new sound in Heavy Rock and etched the on-board Graphic a place in Rock history.
While the MARK V™ Tone Controls are accurate and effective over a wide range, they come earlier in the signal chain and can only achieve so much shaping before they produce possible imbalances in certain Modes. (One example might be the Bass Control in Channels 2 and 3 - where in the MARK I™ and MARK II-C™ Modes - too much bass dialled up early in the preamp will cause the sound to be tubby and unfocused.
The Graphic EQ comes at the very end of the signal chain so you can shape the final sound with the only consideration being how much of a certain frequency your speakers, cabinets - and ultimately your ears - can handle. (Extreme settings of the two lowest Bands - 80Hz and 240Hz will use up power quickly and overall headroom will be affected, especially in the 50W and 10W settings of the Channel Power switch).
Each Channel is fitted with a mini toggle to select the 5-Band Graphic EQ, but the fun doesn't stop there. The MARK V™ gives you the choice of two ways to utilize the power of the Graphic EQ for each Channel!
The mini-toggle within each Channel (centre mini-toggle) allows you to decide whether you want the EQ on all the time in that Channel - EQ ON (toggle up), off all the time in that Channel - EQ OFF (toggle centre), or activated by the EQ button on the Footswitch - EQ FTSW (toggle down).
A separate mini-toggle for each Channel located in the left side of the Graphic EQ section allows you to select whether you will use the actual SLIDERS (toggle up) to shape your individual EQ curve or, a PRESET contour (toggle down) based on the ever- popular "V" curve. The PRESET Mode is fitted with a PRESET DEPTH control that allows you to dial in the right amount of the PRESET contour for each Channel's sound. For example, you might want to use the SLIDERS selection on Channel 3 to craft your own signature lead sound and two different mixes of the PRESET setting on Channels 1 and 2 for your clean rhythm and crunch sounds.
The ability to choose between these two options when assigning the Graphic EQ to your sounds gives you ultimate flexibility when dedicating the Channels. By combining subtle blends of the Tone controls with the EQ options, virtually any sound you can imagine is at your fingertips. Shaping power like this is what the MARK V™ is all about and another reason to smile, knowing you've made an investment in your long-term musical journey. This is one instrument that can keep pace and grow with you as you evolve, helping you to reach your full potential as a player.
POWER: MULTI-WATT™
The bottom 3 position mini toggle in each Channel (lower left corner) is the MULTI-WATT™ Power feature that determines the amount (wattage) and type (configuration) of power each preamp Channel will be coupled with to create a classic sound. Any amplifier's sound is 50% preamp and 50% power, so this switch is responsible for a large part of a given Channel's personality and feel. The choices repeat for all 3 Channels and they are 90w, 45w, and 10w. Using the switch is simple. just select the power you want for each Channel, keeping in mind that the greatest headroom, focus and authority will always be found in the 90watt position. That's how to use it, but for those who want the full story, here it is.
Since 1981 Simul-Class™ Power has been the heart and soul of the MARK™ Series amplifiers, imparting its sweet, musical character onto any sound in the vast library of the now classic MARK™ legacy. Cleans that shimmer with transparent layers of sweet delicate highs, while the bottom end breathes a warm fundamental under a bed of rich low mid ambience. Never harsh - always fat, the Simul lead tone is the quintessential single-note solo sound that is best described with a human trait, The Vocal.
This patented way of wiring an output section with two (or more) pair of output tubes combines two different styles of wiring configurations to arrive at a blend that showcases the best attributes of both.
In Simul-Class™, one pair of output tubes is wired in the more efficient, cooler running CLASS A/B PENTODE configuration, which produces the greater portion of power and headroom while running cooler. This was the popular way of wiring amplifiers from about the early '60's forward - chosen for its efficient use of tubes, greater power and reliability (recently a quest for the sweetest low-watt circuits triggered a resurgence of amps wired in CLASS A). The only sonic penalty for its greater power (Class A/B Pentode wiring) is that it can tend to bring forward the harsher odd-order harmonic content. The Simul solution; add a pair of tubes running in the less efficient, but infinitely sweeter CLASS A TRIODE configuration. This style of wiring produces far less power out of a pair of tubes while creating more heat, but it emphasizes the even- order sweeter harmonics and transitions to clip with a soft, rich purring quality like no other.
The MARK V™ presents you with two ways to utilize this power. 90watts combines the two wiring styles to deliver the maximum power and headroom. It is substantially sweeter and warmer and is little more scooped than a standard 100watt amp, yet with plenty of punch and authority. 45watts shuts down the middle pair of output tubes wired in CLASS AB and allows you to operate the output section in just the CLASS A mode for a perfect lower wattage range that clips sweeter and earlier, and yet is still plenty powerful enough to play out in medium sized venues.
Combining these two opposite styles of wiring in one amplifier gives you the best of vintage and modern amplifier styles. Headroom and power are there when you need it. but there is always a naturally pleasing and musically curvaceous quality to the sound that is magic to your ears and to your hands. Simul feels great and is inspiring to play!
And finally, the MULTI-WATT™ feature allows you to switch down to 10watts of pure CLASS A TRIODE wired in a Single-Ended configuration. This is the ultimate low wattage output section that captures the essence of the best vintage circuits. Here, the 2nd Harmonic (an octave above the note played) is allowed to pass freely through the circuit, putting a magical halo around the notes that shines and rings with beyond-vintage soul.
These three power choices give you ultimate flexibility as to the styles and venues the MARK V™ can adapt to instantly and in fact, it's like having three separate amps in one case - each having the perfect amount of power for a different application. And when you combine the power of the separate PREAMP Channels, the combinations of EQ and the POWER options, you have the most comprehensive collection of tube amplifiers ever brought together in one chassis. That's a bold statement; but after you spend some time exploring the combinations, we're sure you'll feel the same.
OUTPUT & SOLO™
These two controls the overall output (volume) level of the MARK V™ when the EFFECTS LOOP switch on the Rear Panel is switched into the FX ACTIVE (switch up) position. With the EFFECTS LOOP in the HARD BYPASS (switch down) position the OUTPUT and SOLO are inactive and the overall volume levels will be determined by the MASTER control in the Channels. The EFFECTS LOOP adds a whole stage of amplification and the OUTPUT and SOLO come after this stage. The HARD BYPASS feature is intended for recording or solo playing environments where the balancing of the three channels is not so critical.
The OUTPUT control enables you to raise and lower the entire playing level of the MARK V™ without affecting the balance you have set between the Channels with the Channel MASTER.
The SOLO™ control is a foot-switchable Master Volume for the whole amp that is wired in parallel to the OUTPUT control. This allows you to dial up a pre-set amount of boost and switch to it when it's time to step out for solo passages or any time you want to showcase a part. Simply set your desired overall playing level with the OUTPUT, Select SOLO on the MARK V™ Footswitch and set the desired increase in volume level with the SOLO control.
NOTE: The SOLO control may only be used to increase the volume beyond the level of that set by the OUTPUT. You cannot use the SOLO to switch to a level lower than that set by the OUTPUT Control.
NOTE: Check the setting of the SOLO control before switching to it as it may be set high and cause a shocking increase in volume.
The STANDBY shuts down part of the high voltage to the power tubes so that they can rest at idle without wear. It provides a start-up procedure (follow the Cold Start procedure. wait at least 30 seconds after powering up with the POWER switch before turning the STANDBY to ON). This reduces the shock on cold power tubes and increases their life. The STANDBY is also great for muting the sound during speaker changes and should also be used to cool the amp down during set breaks or when swapping tubes.
A built-in Variac™ is included on the POWER switch so that you may run the entire amp on a reduced voltage "brown-out" condition. This reduced voltage changes the sound and feel of the entire amplifier. SPONGY Power scoops the midrange and increases the sag to achieve a more vintage, looser, easier-to-clip character. FULL POWER (BOLD) delivers maximum headroom, focus and punch and is considered the "normal" mode of operation.
OVERVIEW: REAR PANEL
A four-position CHANNEL SELECT rotary control is provided to access the 3 Channels when the Footswitch is not connected (in the studio) or available. Simply select which of the Channels you wish to play using this control when the footswitch is not in use. When the Footswitch is to be used, select the position to the far right (when facing Rear Panel) labelled FT SW and insert the DIN connecter on the Footswitch Cable into the FOOT SWITCH jack on the right side of the Rear Panel.
A five-position rotary LOOP ASSIGN switch is provided to assign the EFFECTS LOOP to any or all the Channels or, select FTSW to trigger the LOOP on and off with the MARK V™ Footswitch. The EFFECTS LOOP must be in the FX ACTIVE position for the LOOP ASSIGN rotary to function
NOTE: Check the OUTPUT level setting before activating the EFFECTS LOOP with the FX ACTIVE / BYPASS switch (near centre of Rear Panel) to avoid damage to your ears, those of bystanders and to your speakers.
Four ¼" EXTERNAL SWITCHING phono jacks are provided for remote control of the MARK V™ Channels, EQ and SOLO™ control from a master (possibly midi controlled) switcher. This feature is extremely important if the MARK V™ is to be used in a live stage set-up where all amplifiers and processors are controlled under one keystroke from a programmable master switching device.
NOTE: The four EXT SWITCHING jacks respond to standard grounding type (tip to ground) latching (not momentary) logic. This switching logic is standard on most master switching units.
The EFFECTS LOOP is fitted with a HARD BYPASS feature that removes a whole tube (two stages) and all associated circuitry from the signal path for the purist who insists the most direct path to tone in the studio. When the EFFECTS LOOP is activated by switching to LOOP ACTIVE (switch up) there is an adjustable SEND LEVEL control to assure optimum performance with your processing devices.
NOTE: Remember that the HARD BYPASS removes the OUTPUT and SOLO controls from the signal path and the individual Channel MASTER controls become the overall volume level controls.
Individual REVERB controls for each Channel allow you to set the desired mix of the rich all-tube Reverb effect for each Channel without compromise. The REVERB effect can be taken in and out of the signal path with the REV button on the MARK V™ Footswitch.
A PENTODE / TRIODE mini toggle switch (located just under the CH 3 REVERB Control) allows you to choose the wiring configuration of the middle pair of power tubes in Channel 3 only. This is a feature that was popular on the MARK IV™ and changes the personality of the attack and liquidity of the sound in the higher gain condition found in Channel 3. PENTODE produces a bolder, tighter voice that has a more pronounced midrange curve and is excellent for adding percussive authority to lower gain single note solo sounds. TRIODE softens the attack and scoops the mids a bit to create a more liquid, legato feel that really shines for high gain styles and faster playing.
Switchable Rectifiers makes its debut on the MARK™ Series for the first time here on the MARK V™ in the form of Rectifier Tracking™. Channels 1 and 2 are fitted with individual mini toggles (located under the Channel 1 and 2 REVERB Controls) that allow you to choose between the tight, bold - higher headroom response of Silicon DIODES or the saggier, sweeter low-output looseness of TUBES in the 45watt Power setting only. The 90watt setting automatically selects the Silicon Diodes and the 10watt setting requires the Tube Rectifier to operate safely.
Two 8-Ohm and two 4-Ohm SPEAKER OUTPUTS are provided and with these jacks almost any speaker cabinet configuration can be accommodated. The MARK V™ is not overly sensitive to impedance mismatches, so feel free to experiment with different cabinet schemes without fear of damage to your amplifier. Different loads will change the response, possibly to your liking. An 8-Ohm load will produce the punchiest, tightest sound and the maximum headroom. Keep in mind that the (power) tube life will be increased by running either an 8 or 4-Ohm overall load.
A ¼" TUNER OUTPUT is provided, and a SILENT TUNING feature has been incorporated so you can tune the instrument onstage without bothering the band or audience. Simply connect your favourite tuner and tap the TUNE the button on the MARK V™ Footswitch and all sound to the Speaker Outputs is muted.
A SLAVE OUTPUT and SLAVE LEVEL Control allows you to capture the full sound of the MARK V™, both preamp and power section, for a feed to processing racks and/or additional power amps (perhaps MESA Stereo Rack power) for big venue applications.
NOTE: Always start any SLAVE hook-up procedure by zero-ing out the SLAVE LEVEL Control to avoid possible damage to your speakers or your ears! In fact, it is good practice to leave the SLAVE LEVEL Control set to 7:00 (OFF) when it is not in use to avoid accidents.
The FOOT SWITCH DIN jack (female) is conveniently located on the right side of the Rear Panel and accepts an 8-PIN Male DIN cable. Connect the MARK V™ Footswitch here.
The Cooling Fan is fitted with an ON/OFF switch to allow silent running in the studio or late-night practicing in the lower wattage settings. MESA recommend leaving the FAN on whenever possible to increase the tone-ful life of your power tubes. Basically, if the sound doesn't bother you. leave the Cooling Fan on all the time.
Finally, a BIAS SELECT switch is included that allows you to run EL34 power tubes in place of the stock compliment of 6L6's. The EL34 style tubes will produce a brighter, skinnier sound that will clip with a whole different harmonic content that can be nice, especially for recording where you may not need the Channel switching performance of all 3 Channels and can dedicate the amplifier to one specific sound. The 6L6'S will most likely perform better for a wide range of sounds and certainly sound fatter and richer on most all the sounds and produce the greatest clean headroom. Whichever tubes you prefer, MAKE SURE THE SETTING OF THE BIAS SWITCH MATCHES THE TUBES IN USE!
NOTE: ALWAYS CHECK THE BIAS SWITCH AFTER SWAPPING TUBES AND EVEN AFTER TRANSPORTING YOUR AMPLIFIER! THE BIAS SWITCH MUST BE SET FOR THE TUBES IN USE!
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MESA/Engineering® HISTORY
MESA/Boogie® (also known as MESA/Engineering®) is an American company in Petaluma, California USA, that manufactures music instrument amplifiers for guitars and basses. It has been in operation since 1969.
MESA was started by Randall Smith as a small repair shop which modified Fender® amplifiers, particularly the diminutive Fender® Princeton. Smith's modifications gave the small amps much more input gain, making them much louder as well as creating a high-gain, distorted guitar tone. Prominent early customers included Carlos Santana, and Ron Wood and Keith Richards of The Rolling Stones. Exposure from these top players helped to establish Mesa/Boogie's position on the market, and it is frequently referred to as the first manufacturer of the boutique amplifiers.
Founder, Randall Smith Early Life
Randall Smith was born into a musical family in Berkeley, California in 1946. His mother and sister played piano and his father was the first-chair clarinet with the Oakland Symphony Orchestra, played tenor sax, had a radio show and led a hotel dance band. Smith believes all of his early musical experiences taught him how to hear tone.
As a young Boy Scout, Smith was interested in earning a merit badge in woodcarving. Stan Stillson, the Boy Scout leader became a mentor. Smith and Stan’s son, Dave, were close in age. They became great friends and built ham radios together. Smith’s father had a good friend, Ernie, who built hi-fi turntables and gave him a couple to experiment on until he was 11 or 12.
He attended Miramonte High in Orinda, CA and graduated in 1964. His freshman year he attended UC Santa Barbara, as his parents wanted him removed from the influences of Berkeley (20 minutes from Orinda). However, he would hop freight trains nearly every weekend from Santa Barbara to the Bay Area to see friends and return to the Beat coffee houses and bookstores of Berkeley. The next four years he attended UC Berkeley studying humanities, English Literature and "invitation only" creative writing courses where he mostly wrote accounts of riding the rails with various hobos, but never quite graduated. Most interesting is that he never once took an electronics course in high school or university. His first major electronics was scratch-building Ham Radio transmitter using 6146 power tube. At only around 60 watts, the signal reached Alaska and most of the US.
Prune Music Store
Smith wanted to participate in the burgeoning San Francisco music scene, having been taught clarinet and a little sax by his father, but he took up drums, as it was the easiest to learn quickly. He played with a local blues and jam band and co-founded the band Martha's Laundry, which later morphed into Prune Music store, with keyboardist Dave Kessner. They opened the store in 1967 inside a building that had been a Chinese grocery store. He worked as a repair tech in the back while Dave ran the front of the store. Offshoots of Prune Music continue in Berkeley to this day with Subway Guitars, Sam Cohen (aka Fat Dog) and Guitar Resurrection in Austin, TX with former Martha's Laundry guitarist, Jim Lehman (aka Lizard Slim). They were partners until 1975. Their store never generated a huge profit, but it became best alternative music store in the hippie scene.
"This Thing Boogies"
Mesa/Boogie began with a practical joke: he borrowed a Fender® Princeton (a small 12-watt amplifier) from his friend, Barry Melton of Country Joe & The Fish, and hot-rodded it by replacing the amplifier section with that of a Fender® Bassman and installing a 12-inch speaker instead of the original 10-inch. The resulting amplifier proved to be loud and successful, and Smith made more than 200 of these Princeton "Boogies"—a name allegedly provided by Carlos Santana, who is to have exclaimed "This thing boogies!"
MESA/Engineering®
The MESA name came about through Smith's other job, rebuilding Mercedes engines. Smith decided to set up MESA/Engineering® so he could purchase wholesale parts for amps and engines. He needed an official sounding name through which to buy Mercedes parts and building supplies, and chose MESA/Engineering®. As the demand for his amps grew, Randall decided it would be best to move his workshop out of the storefront to get away from the distractions. He relocated to what was formerly a plywood dog kennel, then, eventually, to his home.
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THE MESA/Engineering® MESA/Boogie® STORY
Excellence - Living The Code
The story of MESA/Boogie® is an American story. It’s a musical story and a human-interest story, roots to world-renown. It’s based on simple, basic principles that never change or go out of style. It’s a story of doing the right thing, of not taking shortcuts and of never giving up until you achieve, in earnest, what you set out to do. It involves vision, passion, drive, honesty, wisdom, perseverance, trust and the ever-empirical approach of less talk and more action. Undersell and exceed expectations.
It’s a story of treating people with respect, even when it’s not profitable. It’s the story of one man’s vision inspiring two generations of contributors who have both followed and guided their mentor to a place that eclipsed where any could have taken it alone. It’s the tale of a small business owner that never sold out, despite many enticing offers, in favour of keeping it real and continuing to innovate. It’s the story of a worldwide family of fiercely proud devotees with unwavering loyalty.
The story of MESA/Boogie® represents different things to different people; many sounds for many styles, many solutions for many needs, many roads to what we all seek . . . inspiration. Yet perhaps one phrase–one concept more than any other–best captures the essence of MESA/Boogie®; The Relentless Pursuit Of Excellence.
As sunset fell on the ‘60s, the San Francisco music scene was literally exploding. Great musicians from all styles were mixing it up in this counter-culture epicentre where fans of all ages were ripe for the picking and young musical explorers were becoming pop icons overnight.
At the centre of all this new music was electric guitar. As a vehicle for expression, no other instrument offered the versatility, sonic power, and of course sex appeal, of the electric guitar. And while it was recognized as both a rhythm and lead instrument, a twist of fate found drummer and saxophonist Randall Smith preoccupied with the solo potential of the Bay Area’s six-string darling.
While a musical revolution was raging across the Golden Gate, simultaneously in Marin’s Rock Star-studded hamlet of Mill Valley and redwood-thick haven of Lagunitas, young Randall Smith was doing some serious sonic pioneering. With a rich musical background and a love for tube-based electronics, Smith was working diligently toward a high gain revolution of his own in guitar amplifiers.
Even as he was working for the Bay Area’s biggest stars doing amp repairs, behind the scenes Smith was developing a totally new “cascading” tube pre-amp circuit squeezed into in a compact high power combo amplifier that would change the way guitarists would sound–and play–forever more.
Often using his noteworthy clients as test pilots, one day he had a breakthrough while helping Country Joe & The Fish guitarist Barry Melton. He quickly went home, perfected the idea, and called upon local hero Carlos Santana to plug in and give it a spin. After riding a wave of inspiration for long enough to gather a substantial crowd that afternoon in Mill Valley outside Prune Music’s front window where they met for the maiden voyage, Carlos stopped playing and proclaimed, “Man, this thing really Boogies”! It was a defining moment for the future of electric guitar sounds.
The game-changing little high gain Boogie® would go on to have a huge impact on the music of the ‘70s as guitarists finally had the ability to hold notes indefinitely with their newfound sustain. At the dawn of a new decade, another landmark feature in guitar amplification came out of the Lagunitas shop with the introduction of the world’s first channel switching amplifier in 1980, the MARK II®.
Throughout the ‘80s and ‘90s a score of additional innovative and patented improvements saw MESA/Engineering® emerge as the leader in tube amplifier technology. But none of these vital, now-commonplace improvements sparked the kind of attention MESA received in 1991, when high gain was re-defined once more with the birth of the MESA/Boogie® Dual Rectifier® Solo Head, which commanded the Rock airwaves for the next 15 years.
NOW...
Forty-five years and thousands of satisfied customers later, MESA/Boogie® Ltd hand-builds the fifth generational offspring of that pivotal amplifier (and many more) now known around the globe as the MARK I Boogie®; the world’s first high gain, high power, compact 1x12 amplifier. That revolutionary little combo is the “missing link” in amp design... the pivotal nexus between Vintage and Modern guitar amplifiers. When it comes to amplified guitar, there’s really just two epochs… before Boogie®, and after Boogie®.
Today, 30 miles from the mountain shack where those first “Snakeskin” Boogies were born, we still hold true to the simple but increasingly rare principles Randy used to catapult MESA/Boogie® onto the world stage. Hand-building the very best instruments we can and treating each and every customer as we ourselves would wish to be treated has kept us there.
We are still privately owned–one of the last American music companies to be so–and have no profit-hungry investors cutting corners between you and your Tone. Every product we make is hand-built in our one and only shop in Petaluma, California and our artisans are tenured with an average of 15 years at their post, many for MUCH longer. We answer to no one except you and our own uncompromising ethical standards.
We are proud of our place in history as the original “Boutique” amplifier company, but recognize that we must still earn daily, our reputation as one of the most respected and prestigious brands in the musical instrument industry. So as you discover our historically important contributions to the art of amplifier design and journey through our vast product line, rest assured we continue to pioneer and improve–as we have from the start – the possibilities for your expression and our unparalleled Customer Service.
We‘d be honoured to be your amplifier company and welcome you to the worldwide family of MESA® players who have found inspiration and the confidence to reach new musical frontiers through our instruments. We have one goal and it’s deeply rewarding to us; to help you sound your very best and be a catalyst for you to achieve your musical dreams.
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We are the NSW Mid-North Coast Franchise Dealer for these (and more) quality musical instruments & equipment plus loads more guitar, drum, keyboard, recording, and live brands.
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Contact Us:
∎ N E W T O N E M U S I C ∎ GUITAR TRAINING CENTRE
58 COMMERCE STREET | TAREE NSW 2430
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(E) groundy @ tsn.cc
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★For more than 25yrs at NEWTONEMUSIC we provide★
✓ FREE SHIPPING depot-to-depot to all states (except WA & NT).
✓ Full 5 YEAR NEW Manufacturers WARRANTY.
✓ (or 1 YEAR Classic USED WARRANTY (excluding valves).
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✓ NO INTERESTED EVER Finance available.
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